For band 8C, 8D and band 9, the top step point will have a 5 to 10 per cent of their basic salary annually re-earnable, subject to meeting performance requirements.Bands 8 and band 9 will have two step points taking a minimum of five years to progress from the entry step point to the top of the band.No specific changes to the terms and conditions for bands 4 to 7.Band 6 and band 7 will have three step points, taking a minimum of two years to progress from the entry step point to the mid step point and then a further minimum of three years to progress to the top of the band.Band 5 will have three step points, taking a minimum of two years to progress from the entry step point to the mid step point and then a further minimum of two years to progress to the top of the band.Band 4 will have two step points and take a minimum of three years to progress to the top of the band. ![]() Shorter periods to progress to the top of the pay band:.For the next three years the unsocial hours percentage rates will be adjusted to reflect the increase in basic salary, while preserving the value of the current payment tiers.Those existing staff earning £18,160 or less to retain their unsocial hours payments whilst off sick.The minimum pay rate for the NHS will be above the Living Wage Foundation living wage rate as of November 2017.Band 2 and band 3 will have two step points and take a minimum of two years to progress to the top of their band.Those unable or unwilling to move into new band 2 roles to be able to remain in their current band 1 role.Upskilling of current band 1 roles to band 2 roles to be completed by 31 March 2021.Band 1 to be closed to new entrants from the 01 December 2018.This page gives some more information on changes specific to certain pay bands. We at Take Five are proud to honor his legacy with this blog.The agreement contains some changes that are universal to all bands, for example, removal of pay band overlaps, higher starting pay, fewer pay points, and a new progression system. ![]() But Brubeck’s unwavering commitment to racial equality, and his willingness to stand up to the Apartheid regime, also showed the power of public diplomacy to convey our cultural values.īrubeck’s loss is a giant one to jazz, and to diplomacy. The world benefited from these exchanges in the form of even greater music from those he inspired, but also from him.Īt the same time, the racial diversity of Brubeck’s traveling combos – and of other “Jazz Ambassadors” sent by the State Department during this period – made a statement in and of itself, even if at the time the United States wasn’t even coming close to living up to that standard. But Brubeck didn’t just play for his audiences, he listened to them, too. ![]() The music he heard in the countries he visited inspired many of his greatest hits, including those on “Time Out” such as “Blue Rondo a la Turk” and “Take Five.” At the same time, Brubeck’s strong civil rights stance empowered him to refuse to play in South Africa due to its brutal system of racial Apartheid when the contract required him to play with an all-white band.īoth, it seems to me, are examples of the nature and power of public diplomacy, which is predicated on two-way, interactive communication and exchange of ideas. The State Department sent Brubeck around the world to spread the gospel of Jazz, and with it a more subtle message of America’s cultural greatness and freedom during the Cold War. Those tours played an important role in Brubeck’s life, and his contributions went beyond his music. He continued to lead tours of “jazz ambassadors” throughout his life, and was awarded the prestigious Benjamin Franklin Award for Public Diplomacy in 2008 for his efforts. Less well known, however, is his major contributions to American public diplomacy. In the late 1950s the State Department sent his quartet on a world tour as part of their efforts to reach foreign publics through the power of jazz, which many consider to be not only the greatest American music genre, but perhaps the country’s only truly indigenous one. (He also received an Honorary Degree from George Washington University – the home of this blog and the Institute for Public Diplomacy and Global Communication – in 2010.) His seminal album “Time Out,” which includes the classic hit for which this blog is named, broke new ground in jazz composition while achieving the kind of popular success rarely seen by even the genre’s giants. Brubeck’s status as a giant and a pioneer in jazz is well known, and a large part of why he received the Kennedy Center Honor in 2009. The contributors to the Take Five blog were all saddened to learn about the passing of legendary jazz pianist – and public diplomat – Dave Brubeck on Wednesday.
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